Work out of your work. Don't work out of anybody else's work.
Time and movement became really crucial to how I deal with what I deal with, not only sight and boundary but how one walks through a piece and what one feels and registers in terms of one's own body in relation to another body.
My work is really very hard to hurt. I mean people sit on it, write on it, piss on it, you really can't hurt it, I mean you can graffiti the f*** out of it, there's not much you can do to it hurt it.
When I first started, what was very very important to me was dealing with the nature of process.