Marco Bagatin Artwork Details

 

 

Detailed Description

Sobre una mesa de madera quise crear una canica falsa, y la imagen de un hombre que intenta salirse del asunto y dice estar en silencio, sobre todo en este período histórico donde el planeta debería hablar menos y hacer más. El On a wooden table I wanted to create a fake marble, and the image of a man who tries to get out On a wooden table I wanted to create a fake marble, and the image of a man who tries to get out of the matter and says to be silent, especially in this historical period where the planet should speak less and do more. The material used is lime with a spatula, while the image was made in ink by transfer, setting it between the processes. Everything was polished with a hot iron and a protective coat as the final coat. To the touch it seems to touch a marble without any overlap. At first glance, observing the work is not a clear image, however, by carefully lingering and concentrating, you understand the image that I want to represent, creating an explosive emotion in me, with the aim that it is also for those who observe it. As long as I am inspired, the image will always be the same, while the colors will change every time, to make my paintings unique and unrepeatable.of the matter and says to be silent, especially in this historical period where the planet should speak less and do more. The material used is lime with a spatula, while the image was made in ink by transfer, setting it between the processes. Everything was polished with a hot iron and a protective coat as the final coat. To the touch it seems to touch a marble without any overlap. At first glance, observing the work is not a clear image, however, by carefully lingering and concentrating, you understand the image that I want to represent, creating an explosive emotion in me, with the aim that it is also for those who observe it. As long as I am inspired, the image will always be the same, while the colors will change every time, to make my paintings unique and unrepeatable. utilizado es cal con espátula, mientras que la imagen se realizó en tinta por transfer, colocándola entre los procesos. Todo fue pulido con una plancha caliente y una capa protectora como capa final. Al tacto, parece tocar una canica sin superposición alguna. A primera vista, observar la obra no es una imagen clara, sin embargo, al detenerse y concentrarse cuidadosamente, se comprende la imagen que quiero representar, creando una emoción explosiva en mí, con el objetivo de que también lo sea para quienes la observan. . Mientras esté inspirado, la imagen siempre será la misma, mientras que los colores cambiarán cada vez, para hacer que mis cuadros sean únicos e irrepetibles.